The Monkees - "A Little Bit Me A Little Bit You", charted #2, 1967

The Monkees

The Monkees are an American rock and pop band originally active between 1966 and 1971, with reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and English actor and singer Davy Jones. The band's music was initially supervised by producer Don Kirshner, backed by the songwriting duo of Tommy Boyce and Bobby Hart.

The four actor-musicians were allowed only limited roles in the recording studio for the first few months of their five-year career as "the Monkees". This was due in part to the amount of time required to film the television series. Nonetheless, Nesmith did compose and produce some songs from the beginning, and Peter Tork contributed limited guitar work on the sessions produced by Nesmith. They eventually fought for the right to collectively supervise all musical output under the band's name. The television show was canceled in 1968, but the band continued to record music through 1971.

A revival of interest in the television show came in 1986, which led to a series of reunion tours and new records. The group has reunited and toured several times since then with different line-ups and varying degrees of success.

After Davy Jones died on February 29, 2012, the surviving members reunited for a tour in November–December 2012 and again in 2013 for a 24-date tour. The Monkees continued to tour through their 2016 50th Anniversary, with Dolenz and Tork forming the core of the band and Nesmith continuing to join them occasionally.

Dolenz described The Monkees as initially being "a TV show about an imaginary band… that wanted to be the Beatles that was never successful". Ironically, the actor-musicians became one of the most successful bands of the 1960s. The Monkees have sold more than 75 million records worldwide making them one of the biggest selling groups of all time with international hits, including "Last Train to Clarksville", "Pleasant Valley Sunday", "Daydream Believer", and "I'm a Believer". Newspapers and magazines reported that the Monkees outsold the Beatles and the Rolling Stones combined in 1967 but Nesmith claims in his autobiography Infinite Tuesday that it was a lie that he told an Australian reporter.

Aspiring filmmaker Bob Rafelson developed the initial idea for The Monkees in 1962, but was unsuccessful in selling the series. He had tried selling it to Revue, the television division of Universal Pictures. In May 1964, while working at Screen Gems, Rafelson teamed up with Bert Schneider, whose father, Abraham Schneider, headed the Colpix Records and Screen Gems Television units of Columbia Pictures. Rafelson and Schneider ultimately formed Raybert Productions.

The Beatles' film A Hard Day's Night inspired Rafelson and Schneider to revive Rafelson's idea for The Monkees. As "The Raybert Producers", they sold the show to Screen Gems Television on April 16, 1965. Rafelson and Schneider's original idea was to cast an existing New York folk rock group, the Lovin' Spoonful, who were not widely known at the time. However, John Sebastian had already signed the band to a record contract, which would have denied Screen Gems the right to market music from the show.

On July 14, 1965, The Hollywood Reporter stated that future band member Davy Jones was expected to return to the United States in September 1965 after a trip to England "to prepare for TV pilot for Bert Schneider and Bob Rafelson". Jones had previously starred as the Artful Dodger in the Broadway theatre show Oliver!, which debuted on December 17, 1962, and his performance was later seen on The Ed Sullivan Show the same night as the Beatles' first appearance on that show, February 9, 1964. He was nominated for a Tony Award for Best Featured Actor in a Musical in 1963. In September 1964 he was signed to a long-term contract to appear in TV programs for Screen Gems, make feature films for Columbia Pictures and to record music for the Colpix label.[19] Rafelson and Schneider already had him in mind for their project after their plans for the Lovin' Spoonful fell through; when they chose him, he was essentially a proto-star looking for his lucky break.

On September 8–10, 1965, Daily Variety and The Hollywood Reporter ran an ad to cast the remainder of the band/cast members for the TV show:

Madness!! Auditions. Folk & Roll Musicians-Singers for acting roles in new TV series. Running Parts for 4 insane boys, age 17-21. Want spirited Ben Frank's types. Have courage to work. Must come down for interview.

Out of 437 applicants, the other three chosen for the cast of the TV show were Michael Nesmith, Peter Tork and Micky Dolenz. Nesmith had been working as a musician since early 1963 and had been recording and releasing music under various names, including Michael Blessing and "Mike & John & Bill" and had studied drama in college. Of the final four, Nesmith was the only one who actually saw the ad in Daily Variety and The Hollywood Reporter. Tork, the last to be chosen, had been working the Greenwich Village scene as a musician, and had shared the stage with Pete Seeger; he learned of The Monkees from Stephen Stills, whom Rafelson and Schneider had rejected as a songwriter. Dolenz was an actor (his father was veteran character actor George Dolenz) who had starred in the TV series Circus Boy as a child, using the stage name Mickey Braddock, and he had also played guitar and sung in a band called the Missing Links before the Monkees, which had recorded and released a very minor single, "Don't Do It". By that time he was using his real name; he found out about The Monkees through his agent.

During the casting process Don Kirshner, Screen Gems' head of music, was contacted to secure music for the pilot that would become The Monkees. Not getting much interest from his usual stable of Brill Building writers, Kirshner assigned Tommy Boyce and Bobby Hart to the project. The duo contributed four demo recordings for the pilot. One of these recordings was "(Theme From) The Monkees" which helped get the series the green light.

When The Monkees was picked up as a series, development of the musical side of the project accelerated. Columbia-Screen Gems and RCA Victor entered into a joint venture called Colgems Records primarily to distribute Monkees records. Raybert set up a rehearsal space and rented instruments for the group to practice playing in April 1966 but it quickly became apparent they would not be in shape in time for the series debut. The producers called upon Kirshner to recruit a producer for the Monkees sessions.

Kirshner called on Snuff Garrett, composer of several hits by Gary Lewis & the Playboys, to produce the initial musical cuts for the show. Garrett, upon meeting the four Monkees in June 1966, decided that Jones would sing lead, a choice that was unpopular with the group. This cool reception led Kirshner to drop Garrett and buy out his contract. Kirshner next allowed Nesmith to produce sessions, provided he did not play on any tracks he produced. Nesmith did, however, start using the other Monkees on his sessions, particularly Tork as a guitarist. Kirshner came back to the enthusiastic Boyce and Hart to be the regular producers, but he brought in one of his top East Coast associates, Jack Keller, to lend some production experience to the sessions. Boyce and Hart observed quickly that when brought into the studio together, the four actors would fool around and try to crack each other up. Because of this, they would often bring in each singer individually.

According to Nesmith, it was Dolenz's voice that made the Monkees' sound distinctive, and even during tension-filled times Nesmith and Tork sometimes turned over lead vocal duties to Dolenz on their own compositions, such as Tork's "For Pete's Sake", which became the closing title theme for the second season of the television show.

The Monkees' debut and second albums were meant to be a soundtrack to the first season of the TV show, to cash in on the audience. In the 2006 Rhino Deluxe Edition re-issue of their second album, More of the Monkees, Mike Nesmith stated, "The first album shows up and I look at it with horror because it makes [us] appear as if we are a rock 'n' roll band. There's no credit for the other musicians. I go completely ballistic, and I say, 'What are you people thinking?' [The powers that be say], 'Well, you know, it's the fantasy.' I say, 'It's not the fantasy. You've crossed the line here! You are now duping the public. They know when they look at the television series that we're not a rock 'n' roll band; it's a show about a rock 'n' roll band. ... nobody for a minute believes that we are somehow this accomplished rock 'n' roll band that got their own television show. ... you putting the record out like this is just beyond the pale." Within a few months of their debut album, Music Supervisor Don Kirshner would be forcibly dismissed and the Monkees would take control as a real band.

The Monkees' first single, "Last Train to Clarksville" b/w "Take a Giant Step", was released in August 1966, just weeks prior to the TV broadcast debut. In conjunction with the first broadcast of the television show on September 12, 1966, on the NBC television network, NBC and Columbia had a major hit on their hands. The first long-playing album, The Monkees, was released a month later, spent 13 weeks at #1 and stayed on the Billboard charts for 78 weeks. Twenty years later, during their reunion, it would spend another 24 weeks on the Billboard charts. This first album is also notable, in addition to containing their debut single, for containing band member Nesmith's first foray into country-rock, "Papa Gene's Blues", which mixed country, rock and Latin flavors.

From television to concert stage

In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage.

Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were—first and foremost—a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing.

After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.

On tour

Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series—and its spin-off records—created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii.

They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode.

In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 – May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series.

With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).

 

"Daydream Believer", charted #1, 1967

"I'm a Believer", charted #1, 1966

 

 

_______________________________________________________________Copyright © July 2018______________________________________________________________